TEXTS|PUBLISH

Screen shot 2016-04-01 at 12.28.442016_Master Thesis. From_the_image_to_the_GUI. , Interface Cultures, Kunstuniversität Linz  FREE DOWNLOAD

ABSTRACT: Unmasking the secret mechanisms in the photographic message has been a continuing concern by theorists and artists from Walter Benjamin until the present. What is it? What does it show? What lies behind each one of these significant surfaces? Nowadays, the new-media context managed by the Internet and the computer remains as enigmatic as a photographic image. The viewer has become the user, the computer in a media manager and pictures in Graphic User Interface (GUI). The objective of this thesis is to investigate how the development of GUI has changed the artistic production and how artistic practices are able to change the GUI models into something critical. What the GUI is showing us? What is it hiding us? How can we show what we do not know?

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2016_Paper. Critical Aspects, Interfight and early works: Codes, Data, Applications, Behaviors, Objects & Protocols. Interface Politics International Congresse, BAU, Centre Universitari de Cisseny de Barcelona, UOC, Ramon Llul Univesity, HANGAR.ORG http://www.gredits.org/en/scientific-production/congresses/interface-politics-2016/interface-politics-gredits-publications/

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2015_ Exhibition/Interview. Data body as Artifact. ISMAR IEEE, International SImposium Mixed and Augmented Reality, Fukuoka (Japan). URL: http://marart.org/documents/CATALOG_ISMAR_EXHIBITION_2015.pdf

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2015_Paper. Scroller_Toy & Interfight: Ludic Tangible Interaction for Capacitive Surfaces. Interface Cultures, KunstUniversität Linz.

2015_Article.Mística y lógica entorno a la Interfaz. Manifesto for a critical approach to the user interface, PIPES BCN, HANGAR.ORG. http://interfacemanifesto.hangar.org/index.php/Main_Page

2015_Article.Image_Conjuring_Imagination_Magic_Metaphor. Manifesto for a critical approach to the user interface, PIPES BCN, HANGAR.ORG. http://interfacemanifesto.hangar.org/index.php/Main_Page

2013_Paper. Chudy 2012. [ENG]. [SP]. Interface Cultures, KunstUniversität Linz.

2012_Thesis Master. Function, Logic Dysfunction, artistic instrument in new media environment [SP]. Polytechnic University of Valencia.

2010_Thesis Master. Frankenstein, arte, tecnología y artesanía disfuncional [SP]. MADIN. Master of Architecture and Interior Design, University of Salamanca, Spain. 2008/2010.