2020/2021, Paper. Data Pollution Devices: Artistic Strategies Against Behavior Capture. Technically, the capture of “big data” is usually eclipsed by the complexity of the devices we operate: smart phones, tablets, laptops, Internet of Things (IoTs, ) drones, self-driven cars, all of them equipped with passive sensors, cameras, GPS and tracking software, providing high-level understanding from texts, digital images and videos. According to Philip E. Agre. (2003) These distributed computer systems are able to establish a regime of total visibility through real-time human activities. Besides, these devices are continuously and indiscriminately uploading users information to data-servers where it is managed by companies and data-trackers without authorisation. This paper explores functional aspects and devices involved in the process of data-caption, including internal structures, processes, operations and system‐to‐system relationships of computer tracking. Analysed from the artistic approach, including fields such as Tactical Media, Software Studies and Critical Interface. Download.PDF
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2021. Interview/book. “Out of E-Business – Experimental Digital Economies as Social, Political and Technological Critique in Motion” is an edited series of interviews dealing with the topics of cryptocurrencies and decentralization, alternative community economies, experiments with digital tokens and ideological critique of the latest developments in market economics and the globalized dynamics of value distribution and generation. The texts included in the publications have been developed throughout conversations with the participants of the series of workshops on the topics of alternative economies and digital currencies hosted by servus.at in 2019. Participating artists: Martín Nadal and César Escudero Andaluz, Franz Xaver and the STWST Infolab, The Economic Vivaria Research Institute (Sarah Friend and Saraswathi Subbaraman) and Jaya Klara Brekke, John W. Fail. Published by servus.at. Edited by Davide Bevilacqua & Katja Lux. Translations and language editing: Sam Bunn. Illustrations by Virgile Bellaiche. Design, Typesetting, Software: Christoph Haag (lafkon.net). Funded by: LINZimPULS 2018. Special thanks to servus.at main sponsor 2021-2023: Linz AG. 
2019 _Article/paper. THE WORK OF ART IN THE AGE OF ITS
2018 _Article/diagram. Economy, Knowledge and Surveillance in the Age of the Cryptocene. By Martín Nadal and César Escudero Andaluz. ABSTRACT: Nowadays, knowledge has been placed at the service of production, describing a new expression of power generated by the accumulation of information in the networked world. This historical context of relations between intellectual property, piracy, consumption goods and homogeneity of money is counterbalanced by cultural movements and communities defending the open society, proposing free access to information and speculating with non-monetary futures. 
2017_Article/paper. 
2016_Master Thesis. From_the_image_to_the_GUI. , Interface Cultures, Kunstuniversität Linz. ABSTRACT: Unmasking the secret mechanisms in the photographic message has been a continuing concern by theorists and artists from Walter Benjamin until the present. What is it? What does it show? What lies behind each one of these significant surfaces? Nowadays, the new-media context managed by the Internet and the computer remains as enigmatic as a photographic image. The viewer has become the user, the computer in a media manager and pictures in Graphic User Interface (GUI). The objective of this thesis is to investigate how the development of GUI has changed the artistic production and how artistic practices are able to change the GUI models into something critical. What the GUI is showing us? What is it hiding us? How can we show what we do not know? 
Space focused on technology, new media and artistic research. 